• "Dope Don't Sell Itself" is the 7th studio album by #Atlanta based rapper #2Chainz.
    It was released through T.R.U. and #DefJam Recordings on February 4, 2022.
    The album features guest appearances from #MoneybaggYo, BeatKing, #LilBaby, #RoddyRicch, #42Dugg, #YoungBoyNeverBrokeAgain, #LilDurk, Sleepy Rose, Swae Lee, #StoveGodCooks, #Symba, Major Myjah, and Jacquees.
    Producers, with major contributions from #BuddahBless, #HitBoy, #MannieFresh, LilJuMadeDaBeat, WomaticTracks, and #BeatKing. Other key producers included FKi 1st, G. Ry, Smash David, and Turn Me Up Josh.
    "Dope Don't Sell Itself" is the 7th studio album by #Atlanta based rapper #2Chainz. ▪️It was released through T.R.U. and #DefJam Recordings on February 4, 2022. ▪️The album features guest appearances from #MoneybaggYo, BeatKing, #LilBaby, #RoddyRicch, #42Dugg, #YoungBoyNeverBrokeAgain, #LilDurk, Sleepy Rose, Swae Lee, #StoveGodCooks, #Symba, Major Myjah, and Jacquees. ▪️Producers, with major contributions from #BuddahBless, #HitBoy, #MannieFresh, LilJuMadeDaBeat, WomaticTracks, and #BeatKing. Other key producers included FKi 1st, G. Ry, Smash David, and Turn Me Up Josh.
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  • "#SnoopDogg Presents: Tha Eastsidaz" is the eponymous debut studio album by #California gangsta rap group #ThaEastsidaz. It was released on February 1, 2000, on Dogghouse Records and TVT Records.
    The album was recorded at Dogghouse Studio, Music Grinder & Skip Saylor Recording, Hollywood, California.
    Executive produced by Snoop Dogg and featured the trio Tha Eastsidaz (Snoop Dogg, #TrayDeee, and #GoldieLoc).
    Key producers included #Battlecat, L.T. Hutton, Meech Wells, Keith Clizark, and #WarrenG.
    Major guest features included #Kokane, #NateDogg, #Xzibit, #JayoFelony, and #ButchCassidy.
    "#SnoopDogg Presents: Tha Eastsidaz" is the eponymous debut studio album by #California gangsta rap group #ThaEastsidaz. ▪️It was released on February 1, 2000, on Dogghouse Records and TVT Records. ▪️The album was recorded at Dogghouse Studio, Music Grinder & Skip Saylor Recording, Hollywood, California. ▪️Executive produced by Snoop Dogg and featured the trio Tha Eastsidaz (Snoop Dogg, #TrayDeee, and #GoldieLoc). ▪️Key producers included #Battlecat, L.T. Hutton, Meech Wells, Keith Clizark, and #WarrenG. ▪️Major guest features included #Kokane, #NateDogg, #Xzibit, #JayoFelony, and #ButchCassidy.
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  • In 1998, a surprising controversy hit Sony when it was discovered that around 700,000 of its camcorders had an unintended feature. The Sony Handycam CCD-TRV65 was built with an infrared "Night Vision" mode for low-light recording. However, when used in daylight with an infrared filter, the device could effectively see through certain thin fabrics and swimsuits, creating an unexpected X-ray-like effect. This accidental capability quickly led to a media frenzy and alarm among the public.

    What was meant to be a simple feature for nighttime recording suddenly became a major privacy concern. Parents and privacy advocates were especially worried about the potential for misuse. The incident forced Sony to take immediate action. The company promptly recalled the camcorders and discontinued the feature to prevent any further controversy, putting a swift end to what was becoming a significant scandal.

    The event remains a fascinating example of the unintended consequences of technology. While Sony had no malicious intent, the camcorders sparked important debates about surveillance, ethics, and consumer privacy that are still relevant today. This story serves as a memorable piece of tech history and a powerful reminder that even the most innovative tools require careful and thorough testing.

    #TechHistory #Privacy #UnintendedConsequences
    In 1998, a surprising controversy hit Sony when it was discovered that around 700,000 of its camcorders had an unintended feature. The Sony Handycam CCD-TRV65 was built with an infrared "Night Vision" mode for low-light recording. However, when used in daylight with an infrared filter, the device could effectively see through certain thin fabrics and swimsuits, creating an unexpected X-ray-like effect. This accidental capability quickly led to a media frenzy and alarm among the public. What was meant to be a simple feature for nighttime recording suddenly became a major privacy concern. Parents and privacy advocates were especially worried about the potential for misuse. The incident forced Sony to take immediate action. The company promptly recalled the camcorders and discontinued the feature to prevent any further controversy, putting a swift end to what was becoming a significant scandal. The event remains a fascinating example of the unintended consequences of technology. While Sony had no malicious intent, the camcorders sparked important debates about surveillance, ethics, and consumer privacy that are still relevant today. This story serves as a memorable piece of tech history and a powerful reminder that even the most innovative tools require careful and thorough testing. #TechHistory #Privacy #UnintendedConsequences
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  • "Port of Miami" is the debut studio album by #Miami rapper #RickRoss.
    Originally titled Career Criminal, the album was renamed, in reference to Miami being a major arrival destination for cocaine shipments to America.
    Production was handled by a variety of individuals including J.R. Rotem, Cool & Dre, The Runners, #DJKhaled, and others.
    Guest appearances included #Akon, #LilWayne, #YoungJeezy, and Dre.
    The album was released August 8, 2006, on Poe Boy Entertainment, Slip-n-Slide Records and #DefJam Recordings.
    "Port of Miami" is the debut studio album by #Miami rapper #RickRoss. ▪️Originally titled Career Criminal, the album was renamed, in reference to Miami being a major arrival destination for cocaine shipments to America. ▪️Production was handled by a variety of individuals including J.R. Rotem, Cool & Dre, The Runners, #DJKhaled, and others. ▪️Guest appearances included #Akon, #LilWayne, #YoungJeezy, and Dre. ▪️The album was released August 8, 2006, on Poe Boy Entertainment, Slip-n-Slide Records and #DefJam Recordings.
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  • "God Forgives, I Don't" is the 5th studio album by #Miami rapper #RickRoss.
    It was released on July 30, 2012, by #MaybachMusic Group, Slip-n-Slide Records and Def Jam Recordings.
    The album was produced by several record producers, including Cool & Dre, J.U.S.T.I.C.E. League, #Pharrell, Jake One, and Rico Love, among others.
    Album features a wide array of artists. Notable collaborations include #JayZ and #DrDre on "Three Kings", #André3000 on "Sixteen", #Usher on "Touch'N You", #NeYo on "Maybach Music IV", Omarion on "Ice Cold", Wale and #Drake on "Diced Pineapples", and Meek Mill on "So Sophisticated"
    🚨"God Forgives, I Don't" is the 5th studio album by #Miami rapper #RickRoss. ▪️It was released on July 30, 2012, by #MaybachMusic Group, Slip-n-Slide Records and Def Jam Recordings. ▪️The album was produced by several record producers, including Cool & Dre, J.U.S.T.I.C.E. League, #Pharrell, Jake One, and Rico Love, among others. ▪️Album features a wide array of artists. Notable collaborations include #JayZ and #DrDre on "Three Kings", #André3000 on "Sixteen", #Usher on "Touch'N You", #NeYo on "Maybach Music IV", Omarion on "Ice Cold", Wale and #Drake on "Diced Pineapples", and Meek Mill on "So Sophisticated"
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  • In 1993, Crucial Conflict was still years away from their breakout hit “Hay,” but they were already making serious noise on the underground Chicago circuit. What most fans don’t know is that their first recordings were done on cassette through a tiny West Side basement studio run by producer Wildstyle, who later became the group’s in-house beatmaker. According to a 1996 interview in Rap Sheet, the group was developing a fast-paced, harmonized style inspired by Bone Thugs-N-Harmony, but with deeper roots in Chicago’s juke, footwork, and blues scenes. The original lineup was even slightly different, with some early sessions rumored to include verses from local artists who didn’t make the final cut when they signed with Universal.

    A rarely confirmed rumor, supported by DJ Geno from Chicago’s old WGCI radio staff, says that Crucial Conflict recorded an unreleased EP in 1993 titled Mad Conflict, featuring early versions of “Desperado” and “Ride the Rodeo” before they were polished for The Final Tic. These early demos were passed around on dubbed tapes in high schools across the West Side and South Side and even made it into the hands of Twista, who gave the group props publicly at a 1994 open mic at the Cotton Club. Some of these tapes reportedly still exist in collector circles, making them one of the most valuable lost gems in Chicago hip hop history.

    Sources:
    Rap Sheet Magazine (1996 Crucial Conflict interview)
    DJ Geno interview on Vocalo Radio (2018)
    WGCI Radio Archives (1993 playlist reports)
    The Final Tic Liner Notes (1996, Universal Records)
    Chicago Hip Hop Oral History Project (University of Chicago, 2005)

    #CrucialConflict #Chicago #HipHop #1993Rap #WestSideChicago
    ✅ In 1993, Crucial Conflict was still years away from their breakout hit “Hay,” but they were already making serious noise on the underground Chicago circuit. What most fans don’t know is that their first recordings were done on cassette through a tiny West Side basement studio run by producer Wildstyle, who later became the group’s in-house beatmaker. According to a 1996 interview in Rap Sheet, the group was developing a fast-paced, harmonized style inspired by Bone Thugs-N-Harmony, but with deeper roots in Chicago’s juke, footwork, and blues scenes. The original lineup was even slightly different, with some early sessions rumored to include verses from local artists who didn’t make the final cut when they signed with Universal. ✅ A rarely confirmed rumor, supported by DJ Geno from Chicago’s old WGCI radio staff, says that Crucial Conflict recorded an unreleased EP in 1993 titled Mad Conflict, featuring early versions of “Desperado” and “Ride the Rodeo” before they were polished for The Final Tic. These early demos were passed around on dubbed tapes in high schools across the West Side and South Side and even made it into the hands of Twista, who gave the group props publicly at a 1994 open mic at the Cotton Club. Some of these tapes reportedly still exist in collector circles, making them one of the most valuable lost gems in Chicago hip hop history. Sources: Rap Sheet Magazine (1996 Crucial Conflict interview) DJ Geno interview on Vocalo Radio (2018) WGCI Radio Archives (1993 playlist reports) The Final Tic Liner Notes (1996, Universal Records) Chicago Hip Hop Oral History Project (University of Chicago, 2005) #CrucialConflict #Chicago #HipHop #1993Rap #WestSideChicago
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  • "Hail Mary" by #Tupac took under one hour to create.
    The lyrics were written in about 15 minutes, and the recording took about 5 minutes.
    The beat, created by Hurt-M-Badd, took approximately 20-30 minutes.
    "Hail Mary" was a single from his album The Don Killuminati: The 7 Day Theory. This album was certified 4xs platinum by the RIAA.
    🚨"Hail Mary" by #Tupac took under one hour to create. 😳 ▪️The lyrics were written in about 15 minutes, and the recording took about 5 minutes. 😳 ▪️The beat, created by Hurt-M-Badd, took approximately 20-30 minutes. 😳 ▪️"Hail Mary" was a single from his album The Don Killuminati: The 7 Day Theory. This album was certified 4xs platinum by the RIAA.
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  • "The Big Bang" is the 7th studio album by #Brooklyn based rapper #BustaRhymes.
    It was released on June 13, 2006, by #Aftermath Entertainment, #Flipmode Records and Interscope Records.
    Production for the album took place during 2005 to 2006 at several recording studios and was handled by #DrDre, #SwizzBeatz, Mark Batson, #DJScratch, #JDilla, #Timbaland, #MrPorter, will.i.am, #ShaMoneyXL, #JellyRoll, Black Jeruz, Nisan Stewart and #DJGreenLantern.
    The official cover artwork was revealed on May 7, 2006. The tracklisting was released on the 15th.
    🚨"The Big Bang" is the 7th studio album by #Brooklyn based rapper #BustaRhymes. It was released on June 13, 2006, by #Aftermath Entertainment, #Flipmode Records and Interscope Records. ▪️Production for the album took place during 2005 to 2006 at several recording studios and was handled by #DrDre, #SwizzBeatz, Mark Batson, #DJScratch, #JDilla, #Timbaland, #MrPorter, will.i.am, #ShaMoneyXL, #JellyRoll, Black Jeruz, Nisan Stewart and #DJGreenLantern. ▪️The official cover artwork was revealed on May 7, 2006. The tracklisting was released on the 15th.
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  • On October 12, 1995, Tupac is released from prison, New York. Where he was imprisoned from February 8, 1995 on a $1.4 million bail. Which was put up by Death Row Records (after signing to them, unfortunately). He flies to Los Angeles & begins recording his new album-- All Eyez On Me⁣⁣
    ⁣⁣
    He went straight to the studio & recorded “Ambitionz Az A Ridah” and “I Ain’t Mad At Cha” in the same day. ⁣⁣
    On October 12, 1995, Tupac is released from prison, New York. Where he was imprisoned from February 8, 1995 on a $1.4 million bail. Which was put up by Death Row Records (after signing to them, unfortunately). He flies to Los Angeles & begins recording his new album-- All Eyez On Me⁣⁣ ⁣⁣ He went straight to the studio & recorded “Ambitionz Az A Ridah” and “I Ain’t Mad At Cha” in the same day. ⁣⁣
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  • “THERE’S NO MONEY IN THE MUSIC INDUSTRY — THAT’S WHY I GOT OUT!”
    - Master P
    It’s not often you hear a music mogul who once built a $200 million empire tell the world that the very business that made him rich is “broke.” But that’s exactly what Master P—founder of No Limit Records and one of hip-hop’s most legendary entrepreneurs—did.

    In a now-viral clip, Master P boldly stated: “There’s no money in the music industry.”

    This is coming from a man who turned down a $1 million check from Interscope at a time when he didn’t even have a car—because he knew his worth. His logic? “If they’re willing to give me that, I’m worth ten times more.”

    Instead of taking the bait, Master P did something that changed the game: he secured an 85/15 distribution deal with Priority Records, where he kept 100% of his master recordings. That move put him in control of his music, his money, and ultimately, his legacy.

    Now, years later, he’s pulling back the curtain on what’s really going on behind the glitz and glam of the music biz:

    “The record labels will throw you an advance, flash some jewelry, maybe even a car… but they own YOU. They own your name, your sound, your image. That ain’t wealth, that’s slavery in diamonds.”

    Master P’s raw message is more relevant now than ever. With streaming services paying fractions of a penny per play, and record labels locking artists into long-term deals with smoke-and-mirror numbers, many rappers—even famous ones—are living paycheck to paycheck.

    In his words, “You need to OWN something. The money is in the brand, not just the bars.”

    His warning comes at a time when young artists are signing away everything for a taste of fame, not realizing the price they’ll eventually pay. “Don’t fall for the chain and the champagne,” P says. “Fall in love with the blueprint.”

    LESSONS FROM MASTER P’S TRUTH BOMB:
    - Don’t sign out of desperation.
    • Always ask, “What’s in it for me long-term?”
    • Learn the business before the business learns you.
    • Ownership > Exposure.
    • Advance money is a loan. Ownership is wealth.

    Master P’s message isn’t bitter—it’s a masterclass. And if you’re an aspiring artist, independent hustler, or just someone dreaming big, here’s the bottom line:

    The music industry doesn’t need another rapper. It needs more owners.

    #MasterP #NoMoneyInMusic #OwnYourMasters #IndependentHustle #HipHopTruth #MusicIndustrySecrets
    “THERE’S NO MONEY IN THE MUSIC INDUSTRY — THAT’S WHY I GOT OUT!” - Master P It’s not often you hear a music mogul who once built a $200 million empire tell the world that the very business that made him rich is “broke.” But that’s exactly what Master P—founder of No Limit Records and one of hip-hop’s most legendary entrepreneurs—did. In a now-viral clip, Master P boldly stated: “There’s no money in the music industry.” This is coming from a man who turned down a $1 million check from Interscope at a time when he didn’t even have a car—because he knew his worth. His logic? “If they’re willing to give me that, I’m worth ten times more.” Instead of taking the bait, Master P did something that changed the game: he secured an 85/15 distribution deal with Priority Records, where he kept 100% of his master recordings. That move put him in control of his music, his money, and ultimately, his legacy. Now, years later, he’s pulling back the curtain on what’s really going on behind the glitz and glam of the music biz: “The record labels will throw you an advance, flash some jewelry, maybe even a car… but they own YOU. They own your name, your sound, your image. That ain’t wealth, that’s slavery in diamonds.” Master P’s raw message is more relevant now than ever. With streaming services paying fractions of a penny per play, and record labels locking artists into long-term deals with smoke-and-mirror numbers, many rappers—even famous ones—are living paycheck to paycheck. In his words, “You need to OWN something. The money is in the brand, not just the bars.” His warning comes at a time when young artists are signing away everything for a taste of fame, not realizing the price they’ll eventually pay. “Don’t fall for the chain and the champagne,” P says. “Fall in love with the blueprint.” LESSONS FROM MASTER P’S TRUTH BOMB: - Don’t sign out of desperation. • Always ask, “What’s in it for me long-term?” • Learn the business before the business learns you. • Ownership > Exposure. • Advance money is a loan. Ownership is wealth. Master P’s message isn’t bitter—it’s a masterclass. And if you’re an aspiring artist, independent hustler, or just someone dreaming big, here’s the bottom line: The music industry doesn’t need another rapper. It needs more owners. #MasterP #NoMoneyInMusic #OwnYourMasters #IndependentHustle #HipHopTruth #MusicIndustrySecrets
    0 Commenti 0 condivisioni 13579 Views
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