🚨"The Big Bang" is the 7th studio album by #Brooklyn based rapper #BustaRhymes. It was released on June 13, 2006, by #Aftermath Entertainment, #Flipmode Records and Interscope Records. ▪️Production for the album took place during 2005 to 2006 at several recording studios and was handled by #DrDre, #SwizzBeatz, Mark Batson, #DJScratch, #JDilla, #Timbaland, #MrPorter, will.i.am, #ShaMoneyXL, #JellyRoll, Black Jeruz, Nisan Stewart and #DJGreenLantern. ▪️The official cover artwork was revealed on May 7, 2006. The tracklisting was released on the 15th.

On October 12, 1995, Tupac is released from prison, New York. Where he was imprisoned from February 8, 1995 on a $1.4 million bail. Which was put up by Death Row Records (after signing to them, unfortunately). He flies to Los Angeles & begins recording his new album-- All Eyez On Me⁣⁣ ⁣⁣ He went straight to the studio & recorded “Ambitionz Az A Ridah” and “I Ain’t Mad At Cha” in the same day. ⁣⁣

“THERE’S NO MONEY IN THE MUSIC INDUSTRY — THAT’S WHY I GOT OUT!” - Master P It’s not often you hear a music mogul who once built a $200 million empire tell the world that the very business that made him rich is “broke.” But that’s exactly what Master P—founder of No Limit Records and one of hip-hop’s most legendary entrepreneurs—did. In a now-viral clip, Master P boldly stated: “There’s no money in the music industry.” This is coming from a man who turned down a $1 million check from Interscope at a time when he didn’t even have a car—because he knew his worth. His logic? “If they’re willing to give me that, I’m worth ten times more.” Instead of taking the bait, Master P did something that changed the game: he secured an 85/15 distribution deal with Priority Records, where he kept 100% of his master recordings. That move put him in control of his music, his money, and ultimately, his legacy. Now, years later, he’s pulling back the curtain on what’s really going on behind the glitz and glam of the music biz: “The record labels will throw you an advance, flash some jewelry, maybe even a car… but they own YOU. They own your name, your sound, your image. That ain’t wealth, that’s slavery in diamonds.” Master P’s raw message is more relevant now than ever. With streaming services paying fractions of a penny per play, and record labels locking artists into long-term deals with smoke-and-mirror numbers, many rappers—even famous ones—are living paycheck to paycheck. In his words, “You need to OWN something. The money is in the brand, not just the bars.” His warning comes at a time when young artists are signing away everything for a taste of fame, not realizing the price they’ll eventually pay. “Don’t fall for the chain and the champagne,” P says. “Fall in love with the blueprint.” LESSONS FROM MASTER P’S TRUTH BOMB: - Don’t sign out of desperation. • Always ask, “What’s in it for me long-term?” • Learn the business before the business learns you. • Ownership > Exposure. • Advance money is a loan. Ownership is wealth. Master P’s message isn’t bitter—it’s a masterclass. And if you’re an aspiring artist, independent hustler, or just someone dreaming big, here’s the bottom line: The music industry doesn’t need another rapper. It needs more owners. #MasterP #NoMoneyInMusic #OwnYourMasters #IndependentHustle #HipHopTruth #MusicIndustrySecrets

Clifton Chenier, born in Opelousas, Louisiana, was a musical pioneer whose contributions to zydeco music are unparalleled. Growing up in a Creole-speaking family, Chenier was immersed in the rich cultural traditions of southern Louisiana. His father, an accordion player, introduced him to music at a young age, setting the stage for his future career. Chenier's journey into music began in the 1940s, playing in local clubs and dances. His unique blend of traditional Creole music with rhythm and blues created a sound that was both fresh and deeply rooted in his heritage. By the 1950s, Chenier had formed his band, the Zydeco Ramblers, and began recording his distinctive style. In 1955, Chenier released "Eh, 'Tite Fille," a song that brought zydeco to a national audience. His energetic accordion playing and soulful vocals captivated listeners, earning him the title "King of Zydeco." Chenier's music was characterized by its lively rhythms, syncopated beats, and the use of the washboard, played by his brother Cleveland Chenier. Throughout his career, Chenier continued to innovate and expand the boundaries of zydeco. He incorporated elements of blues, jazz, and rock and roll, creating a sound that was uniquely his own. His performances were electrifying, drawing audiences into the joyous spirit of zydeco music. Chenier's influence extended beyond his own recordings. He inspired a generation of musicians and brought zydeco to the world stage. His Grammy-winning album "I'm Here!" in 1983 was a testament to his enduring talent and creativity. Clifton Chenier passed away in 1987, but his legacy lives on through the vibrant zydeco music scene he helped create. He was a true pioneer whose contributions continue to be celebrated by music lovers around the world. #CliftonChenier #Zydeco

🚨 "No Limit Top Dogg" is the 4th studio album by #LongBeachCalifornia rapper #SnoopDogg. It was released May 11, 1999, by #NoLimitRecords and Priority Records. ▪️Following the mixed reception of his previous album, Snoop began to work again with #DrDre and returned to the west coast sound of his earlier career while on #DeathRowRecords. ▪️The album was generally met with positive reception with many critics citing it as a return to form and his best album since Doggystyle (1993). ▪️Many praised the production work for the album with the tracks made by Dr. Dre being highlighted as well as Snoop's delivery while criticism was mainly aimed at the length of the album, the No Limit features, and the lack of new lyrical content. ▪️ The Source placed the album on their list of the "Top 10 Best Albums of the Year" for 1999. ▪️Producer= #MasterP (exec.), Dr. Dre, Bud'da, Meech Wells, #DJQuik, #AntBanks, #KLC, #JellyRoll, G-One, #RaphaelSaadiq, #DefJef, #GoldieLoc. ▪️The album was certified platinum by the Recording Industry Association of America (RIAA). As of March 2008, the album has sold 1,518,000 copies in the United States and 2 million worldwide as of 2016.