Creating a list of seventy unknown or lesser-known facts for these luxury car duos would make for an interesting collection! I’ll cover unique details, historical background, and technological innovations. Here’s a breakdown by car duo:

Rolls-Royce Ghost & Cullinan:

1. The Rolls-Royce Ghost was inspired by the 1906 Silver Ghost, a car famed for its reliability.

2. The Cullinan was named after the largest diamond ever found, the Cullinan Diamond.

3. The Ghost features a "whisper quiet" cabin thanks to over 100 kg of soundproofing materials.

4. Rolls-Royce custom designs the woodwork inside each Ghost, often sourcing wood from a single tree.

5. The Cullinan has an off-road mode, a rarity among Rolls-Royce vehicles.

6. Rolls-Royce engineers spent five years testing the Cullinan in various terrains, including Arctic landscapes.

7. The Ghost uses an "Satellite Aided Transmission," which leverages GPS to adjust gear shifts based on the road.

8. Each Cullinan can be custom painted in over 44,000 hues.

9. The Cullinan has a dedicated rear-seat package called the "Viewing Suite" for outdoor experiences.

10. Rolls-Royce’s Ghost features "Starlight Headliner," with up to 1,340 fiber-optic lights to resemble a night sky.

Bentley Flying Spur & Bentayga:

11. Bentley Flying Spur offers a unique “mood lighting” option for customizable ambient colors.

12. The Bentayga was Bentley's first-ever SUV and one of the fastest SUVs upon its release.

13. Each Flying Spur can be fitted with up to 15 types of leather.

14. The Bentayga's wood veneer takes five weeks to create.

15. Flying Spur was originally based on the Continental GT but was later designed to be a standalone sedan.

16. Bentayga models can have a Mulliner Hamper Set, which includes a fridge, fine China, and custom cutlery.

17. Bentley engineers collaborated with NASA to create the Bentayga’s sound system.

18. Bentley customers can commission bespoke leather colors through Mulliner personalization.

19. The Flying Spur’s dashboard can rotate to reveal different screens and dials.

20. The Bentayga Speed was once the world’s fastest SUV, reaching 190 mph.

Mercedes-Maybach S-Class & GLS:

21. The Maybach S-Class offers a “chauffeur package” for extra rear legroom and features.

22. The GLS Maybach is Mercedes’ first SUV to carry the Maybach name.

23. The S-Class Maybach has “First-Class” rear seats that recline up to 43.5 degrees.

24. Maybach vehicles feature a scent system designed exclusively by luxury perfume brands.

25. The GLS has an E-Active Body Control feature for smooth handling on rough terrains.

26. The Maybach S-Class has a feature called "Magic Sky Control" that can adjust roof transparency.

27. Each GLS Maybach includes dedicated champagne flutes in the rear compartment.

28. The Maybach S-Class uses active road noise compensation technology.

29. The GLS has advanced air suspension that "bounces" out of sandy or loose terrains.

30. Maybach S-Class models offer “energizing comfort” options with massaging seats and temperature-controlled armrests.

Toyota Century & Century SUV:

31. The Toyota Century was Japan’s first luxury sedan introduced in 1967, named in honor of Toyota’s founder.

32. Century models are largely hand-built, with limited production to maintain exclusivity.

33. The Century traditionally uses a V12 engine, a rarity among Japanese sedans.

34. The Century SUV debuted in 2023, marking Toyota’s expansion into luxury SUVs.

35. Japanese craftsmen, called Takumi, are specially trained to handle Century’s interior work.

36. Each Century’s emblem is meticulously engraved using traditional Japanese techniques.

37. The rear seats in the Century Sedan are prioritized over the front for chauffeur-driven luxury.

38. The Century SUV features a dedicated VIP rear compartment with reclining seats.

39. Toyota's Century models are primarily available in Japan and rarely sold internationally.

40. The Century Sedan was preferred by the Japanese Imperial family for state events.

Advanced Technologies Across Brands:

41. Rolls-Royce and Bentley use bespoke wood veneer sourced from sustainable forests worldwide.

42. Mercedes-Maybach uses AI-driven comfort features that can monitor and adjust temperature, lighting, and music based on passenger mood.

43. Toyota’s Century models incorporate Japanese design principles, like using natural materials and minimalist layouts.

44. The Cullinan and Bentayga SUVs offer sophisticated night vision and thermal imaging.

45. Flying Spur and Maybach S-Class sedans are built for a "chauffeur experience," focusing on rear-seat comfort and amenities.

46. The Bentayga’s front grille is hand-assembled to give it a unique luxury look.

47. Mercedes-Maybach S-Class offers a "Magic Body Control" that adjusts suspension for the smoothest ride possible.

48. Toyota Century uses soft-close doors and electronic privacy screens, making it popular among high-ranking officials.

49. Rolls-Royce Cullinan has the ability to raise or lower its suspension for easier entry.

50. Mercedes-Maybach GLS has advanced off-road capabilities for a luxury SUV.

Unique Interior Craftsmanship and Design:

51. The Starlight Headliner in Rolls-Royce models is hand-installed with thousands of fiber-optic lights.

52. Bentley Flying Spur interiors use diamond-quilted leather, hand-stitched by artisans.

53. The Century SUV offers traditional Japanese materials, such as wood and handwoven cloth.

54. Maybach's interior incorporates Swarovski crystals into cabin lighting.

55. Rolls-Royce offers custom inlays with initials, logos, or even family crests in the Ghost.

56. Bentley Bentayga has a leather that comes from Scandinavian herds to minimize imperfections.

57. The Toyota Century Sedan and SUV feature subtle cherry blossom motifs on the interior.

58. Maybach models have a “Rear Seat Entertainment” with dual touchscreens and wireless headphones.

59. Rolls-Royce uses a unique perfume scent specifically crafted for each Ghost and Cullinan.

High-Performance and Safety Features:

60. Bentayga and Cullinan SUVs can go from 0 to 60 mph in under 4 seconds.

61. Flying Spur is available with either a V8 or W12 engine for high-speed performance.

62. The GLS Maybach features a "Curve" function, which leans the car into corners.

63. Century models include bulletproof options for government and diplomatic use.

64. Rolls-Royce Ghost uses a 6.75-liter V12 engine with up to 563 horsepower.

65. Bentayga's W12 engine was once the most powerful Bentley engine ever made.

66. Maybach S-Class offers a “Maybach Driving Mode,” adjusting the car’s dynamics for a smoother experience.

67. Toyota’s Century SUVs are engineered for silent operation, ensuring minimal road noise.

68. Rolls-Royce Cullinan was the first to combine true luxury with rugged all-terrain capabilities.

69. Maybach GLS has extra airbags for each passenger and an emergency exit protocol.

70. Bentley and Rolls-Royce each feature optional armored models for dignitaries and executives.

These 70 facts highlight the unique craftsmanship, performance, and luxury details that make these models iconic in the automotive world.

#rollsroyce #bentley #mercedesbenz #toyota

Reposted from Instagram@kchill_

Come on Jose #iknowyoulyin #funnyvideos #kchill #comedy #unk

Reposted from Instagram@kchill_ Who got tongue like this?#iknowyoulyin #funnyvideos #kchill #comedy #unk

Reposted from Instagram@kchill_

Gul get off that pole

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Sometimes she is still with you because she is broke.
The truth is, most of the women you’re dating or married to today are sticking around because they need a financial leg up. They’re broke, they’re jobless, and for now, you’re the answer to their problems. But pay close attention—once they start making money or find a new hustle, you’ll see them questioning the relationship. Suddenly, they’ll think they’ve “outgrown” you, or they’ll start talking about “finding themselves.” This isn’t an exaggeration; it’s a calculated move that too many men fall victim to.

Here’s a hard fact: among the wealthiest women in the world, most didn’t build their empires from scratch. They were handed massive settlements in high-profile divorces, used their marriages as launchpads, or were given stakes in companies started by their fathers or husbands. While Oprah stands as a rare self-made success story, she’s the exception, not the rule. Research from the Forbes Billionaire List reveals that over two-thirds of the world’s wealthiest women acquired their fortunes through inheritance or marriage. Names like Mackenzie Scott and Melinda French Gates come to mind—not because they’re self-made billionaires, but because they gained immense wealth through divorce settlements.

Think about the numbers: in the United States alone, women initiate nearly 70% of divorces. And for college-educated women, the rate jumps to 90%. Women are driving these breakups, and they’re often using the legal system to walk away with half of a man’s assets—sometimes more. Men are being stripped of wealth they spent decades building, while ex-wives profit without having lifted a finger to build those fortunes.

The financial impact of divorce on men is devastating. According to the American Sociological Association, men experience a significant income drop after divorce, while many ex-wives see little to no decline in their lifestyle, especially if they’ve secured alimony or child support. Statistics from the Journal of Marriage and Family show that divorced men face a 21% decrease in standard of living post-divorce, while women’s economic prospects can actually improve with the right settlements.

The predatory mindset is real. You might think she’s committed, but if she’s financially dependent on you, don’t be naive. The minute she finds a better financial situation, she’ll be thinking about the exit strategy. This isn’t some fairytale—it’s a harsh reality. From celebrities to everyday men, there’s a pattern here. Women like Amber Heard, who pocketed millions from Johnny Depp, are prime examples of how quickly some women can switch from “in love” to “lawyered up” when there’s money to be gained.

The system itself encourages this behavior. Divorce courts are not friendly to men—far from it. The scales are tipped in her favor, allowing her to claim alimony, child support, and a sizable chunk of any assets you’ve built. This isn’t empowerment; it’s legalized extraction, and you’d better recognize it for what it is.

Now, I’m not saying all women are out to drain you, but a lot are driven by financial motives. You need to be sharp enough to recognize the signs. If she’s leaning on you to make ends meet, don’t assume it’s loyalty. Make sure you’re on your guard and that your finances are protected. Real power comes from keeping your assets secure and knowing where you stand.

Men, this is about survival. Protect yourself. Understand that true loyalty comes from character, not convenience. The world is filled with women who see men as stepping stones.

Sometimes she is still with you because she is broke.
The truth is, most of the women you’re dating or married to today are sticking around because they need a financial leg up. They’re broke, they’re jobless, and for now, you’re the answer to their problems. But pay close attention—once they start making money or find a new hustle, you’ll see them questioning the relationship. Suddenly, they’ll think they’ve “outgrown” you, or they’ll start talking about “finding themselves.” This isn’t an exaggeration; it’s a calculated move that too many men fall victim to.

Here’s a hard fact: among the wealthiest women in the world, most didn’t build their empires from scratch. They were handed massive settlements in high-profile divorces, used their marriages as launchpads, or were given stakes in companies started by their fathers or husbands. While Oprah stands as a rare self-made success story, she’s the exception, not the rule. Research from the Forbes Billionaire List reveals that over two-thirds of the world’s wealthiest women acquired their fortunes through inheritance or marriage. Names like Mackenzie Scott and Melinda French Gates come to mind—not because they’re self-made billionaires, but because they gained immense wealth through divorce settlements.

Think about the numbers: in the United States alone, women initiate nearly 70% of divorces. And for college-educated women, the rate jumps to 90%. Women are driving these breakups, and they’re often using the legal system to walk away with half of a man’s assets—sometimes more. Men are being stripped of wealth they spent decades building, while ex-wives profit without having lifted a finger to build those fortunes.

The financial impact of divorce on men is devastating. According to the American Sociological Association, men experience a significant income drop after divorce, while many ex-wives see little to no decline in their lifestyle, especially if they’ve secured alimony or child support. Statistics from the Journal of Marriage and Family show that divorced men face a 21% decrease in standard of living post-divorce, while women’s economic prospects can actually improve with the right settlements.

The predatory mindset is real. You might think she’s committed, but if she’s financially dependent on you, don’t be naive. The minute she finds a better financial situation, she’ll be thinking about the exit strategy. This isn’t some fairytale—it’s a harsh reality. From celebrities to everyday men, there’s a pattern here. Women like Amber Heard, who pocketed millions from Johnny Depp, are prime examples of how quickly some women can switch from “in love” to “lawyered up” when there’s money to be gained.

The system itself encourages this behavior. Divorce courts are not friendly to men—far from it. The scales are tipped in her favor, allowing her to claim alimony, child support, and a sizable chunk of any assets you’ve built. This isn’t empowerment; it’s legalized extraction, and you’d better recognize it for what it is.

Now, I’m not saying all women are out to drain you, but a lot are driven by financial motives. You need to be sharp enough to recognize the signs. If she’s leaning on you to make ends meet, don’t assume it’s loyalty. Make sure you’re on your guard and that your finances are protected. Real power comes from keeping your assets secure and knowing where you stand.

Men, this is about survival. Protect yourself. Understand that true loyalty comes from character, not convenience. The world is filled with women who see men as stepping stones.

Chicago, Illinois.— Friday afternoon, several people broke onto the Union Pacific tracks and looted multiple freight trains parked between Cicero and Laramie avenues.

Looters took boxes with items such as TVs, electric fryers and other unknown items.

Even with the arrival of Chicago, Union Pacific and Metra police, the robbery continued for hours, and no one was arrested until early evening.

Sidney Poitier was a 20 year old dishwasher in NYC. He came from the Bahamas and could only read 3rd grade level, having great trouble with 3 syllable words. He lost his dish washing job, so he looked in the want ads and was about to throw the newspaper into the trash box on the street when he read: Actors Wanted.
The 'wanted' seemed like an invitation, so he walked to the address, was given a two page scene to read by a large man. Poitier slowly read word by word in his Caribbean accent. The large man grabbed him by the belt and collar and pushed him to the door saying, "Stop wasting people's time. You can't speak and you can't read.
Go back to dish washing." Walking to the bus stop Poitier stopped on the street thinking, "How did he know I was a dishwasher?" Poitier said: "I realized that was his perception of me. No value but something I could do with my hands. Even though he was correct in his anger to characterize me that way, I was deeply offended. I said to myself, 'I have to rectify that.' "I decided right then on that street, that I was going to be an actor just to show him he was wrong about me. I had to take the responsibility to change how people perceived me.
I continued as a dishwasher, but I began to work on myself."
Poitier auditioned at the American Negro Theater in Harlem, hoping to get into classes there. He didn't know that one could buy books with plays in them, so he memorized an article in True Confessions magazine.
He wasn't accepted, but Sidney said, "I'll be your janitor for free if you let me study here." The school accepted that deal. Months later, he was told he had no gift for acting and had to leave. Unknown to Poitier, three fellow students that liked him went to the head-master and asked her to give him a walk on in the next play. She said, "No, but I'll make him the understudy for the lead. (She had no intention to use him).
However, the night of the play, the lead, Harry Belafonte, had to help his janitor father carry out the six heavy boxes of furnace ashes, and it had to be done that night. So Poitier went on, knew his lines and did he best he could. In the theater that night was a producer that offered him a bit part in his next play. His character was the first to speak as an excited man who has to tell some news in the first scene, and that was all.
Poitier said, "When I looked out through a peephole at the 1,200 people waiting for the play to begin, I became paralyzed with fear. "I ran out on stage and started with my 7th line first. The other actor's eyes bulged out, but he came up with the right answer. We skipped around lines, then my character left the stage and that was my only scene. The audience didn't know the play, so they liked my confused, excited character.
"However, walking back to the room I was renting, I decided to give up on acting. I bought four newspapers on the way home and was surprised that I was mentioned favorably in three of them, like: 'Who was that funny kid that came on at the beginning?' So I decided to continue acting." After a few small parts in small movies, it was 1954. Sidney Poitier was sent to an audition for a movie by an agent named Martin Baum, but was not Poitier's agent.
Poitier read a scene in front of the producers, they wanted him and gave him a full script to take home. Poitier's character was a janitor who saw a crime committed by gangsters. To keep him quiet, the gangsters kill his daughter. And he stays quiet. Poitier said, "I really hated it. At that time, I had no objections to playing a janitor, but I hated the idea of a father not taking action on the gangsters. The janitor permits what the gangster do to him. To the writers it's just a plot point, but I can't play that because I have a father. And I know my father would never be like that. And as a father myself, I would never be able to NOT attack those gangsters. I want to do movies that show who I am as a human being."
Poitier called Martin Baum who said they will pay $750 for the part. ($7,000 today). He told Baum, " I read it and I can't play it," and explained why. Baum said, “That’s why you don't want to do this? You need that money don't you?" Poitier desperately needed the money. He had to pay the hospital $75 for his 2nd daughter's birth. But didn't take the part. Poitier said, "That speaks to who I was then and still am. And who I am is my father's son. I saw how he treated my mother and family. I know how to be a decent human being.
So I pawned my furniture, such as it was, got $75 and paid the hospital. Then I went back to dish washing. "Months later, Martin Baum called me and invited me to his office and said, "I have never been able to understand why you turned down that job. I told him why again, but I don't know if he understood it.
But Martin said, 'I have decided that anyone as crazy as you are, I want to be their agent.' He's been my agent till now." Poitier won an Academy Award for Best Actor for 'Lilies of the Field' in 1963. Five years later, Sidney Poitier was offered the lead in 'In the Heat of the Night' to be produced by Walter Mirisch (West Side Story, The Magnificent 7) Poitier said, "When I read the script, I said, 'Walter I can’t play this. The scene requires me to be slapped by a wealthy man and I just look at him fiercely and walk away. That is not very bright in today's culture. It's dumb.
"This is 1968. You can't do that. The black community will look at that and be appalled, because the human response would be different. You certainly won't do the movie with me this way. 'If I do this movie, I insist to respond as a human being; he pops me and I pop him right back. If you want me to play it, you will put that in writing. Also in writing you will say 'If this picture plays in the south, that scene is never removed.' Walter said, 'Yeah, I promise you that and I'll put it in writing.' "But being the kind of guy Walter is, his handshake and his word are the same, so I didn't need to have it in writing, and he kept his word. That scene made the movie. Without it, the movie wouldn't have been as popular."
'In the Heat of the Night' won five Academy Awards: Best Picture - Best Screenplay.
Sidney Poitier was a 20 year old dishwasher in NYC. He came from the Bahamas and could only read 3rd grade level, having great trouble with 3 syllable words. He lost his dish washing job, so he looked in the want ads and was about to throw the newspaper into the trash box on the street when he read: Actors Wanted.
The 'wanted' seemed like an invitation, so he walked to the address, was given a two page scene to read by a large man. Poitier slowly read word by word in his Caribbean accent. The large man grabbed him by the belt and collar and pushed him to the door saying, "Stop wasting people's time. You can't speak and you can't read.
Go back to dish washing." Walking to the bus stop Poitier stopped on the street thinking, "How did he know I was a dishwasher?" Poitier said: "I realized that was his perception of me. No value but something I could do with my hands. Even though he was correct in his anger to characterize me that way, I was deeply offended. I said to myself, 'I have to rectify that.' "I decided right then on that street, that I was going to be an actor just to show him he was wrong about me. I had to take the responsibility to change how people perceived me.
I continued as a dishwasher, but I began to work on myself."
Poitier auditioned at the American Negro Theater in Harlem, hoping to get into classes there. He didn't know that one could buy books with plays in them, so he memorized an article in True Confessions magazine.
He wasn't accepted, but Sidney said, "I'll be your janitor for free if you let me study here." The school accepted that deal. Months later, he was told he had no gift for acting and had to leave. Unknown to Poitier, three fellow students that liked him went to the head-master and asked her to give him a walk on in the next play. She said, "No, but I'll make him the understudy for the lead. (She had no intention to use him).
However, the night of the play, the lead, Harry Belafonte, had to help his janitor father carry out the six heavy boxes of furnace ashes, and it had to be done that night. So Poitier went on, knew his lines and did he best he could. In the theater that night was a producer that offered him a bit part in his next play. His character was the first to speak as an excited man who has to tell some news in the first scene, and that was all.
Poitier said, "When I looked out through a peephole at the 1,200 people waiting for the play to begin, I became paralyzed with fear. "I ran out on stage and started with my 7th line first. The other actor's eyes bulged out, but he came up with the right answer. We skipped around lines, then my character left the stage and that was my only scene. The audience didn't know the play, so they liked my confused, excited character.
"However, walking back to the room I was renting, I decided to give up on acting. I bought four newspapers on the way home and was surprised that I was mentioned favorably in three of them, like: 'Who was that funny kid that came on at the beginning?' So I decided to continue acting." After a few small parts in small movies, it was 1954. Sidney Poitier was sent to an audition for a movie by an agent named Martin Baum, but was not Poitier's agent.
Poitier read a scene in front of the producers, they wanted him and gave him a full script to take home. Poitier's character was a janitor who saw a crime committed by gangsters. To keep him quiet, the gangsters kill his daughter. And he stays quiet. Poitier said, "I really hated it. At that time, I had no objections to playing a janitor, but I hated the idea of a father not taking action on the gangsters. The janitor permits what the gangster do to him. To the writers it's just a plot point, but I can't play that because I have a father. And I know my father would never be like that. And as a father myself, I would never be able to NOT attack those gangsters. I want to do movies that show who I am as a human being."
Poitier called Martin Baum who said they will pay $750 for the part. ($7,000 today). He told Baum, " I read it and I can't play it," and explained why. Baum said, “That’s why you don't want to do this? You need that money don't you?" Poitier desperately needed the money. He had to pay the hospital $75 for his 2nd daughter's birth. But didn't take the part. Poitier said, "That speaks to who I was then and still am. And who I am is my father's son. I saw how he treated my mother and family. I know how to be a decent human being.
So I pawned my furniture, such as it was, got $75 and paid the hospital. Then I went back to dish washing. "Months later, Martin Baum called me and invited me to his office and said, "I have never been able to understand why you turned down that job. I told him why again, but I don't know if he understood it.
But Martin said, 'I have decided that anyone as crazy as you are, I want to be their agent.' He's been my agent till now." Poitier won an Academy Award for Best Actor for 'Lilies of the Field' in 1963. Five years later, Sidney Poitier was offered the lead in 'In the Heat of the Night' to be produced by Walter Mirisch (West Side Story, The Magnificent 7) Poitier said, "When I read the script, I said, 'Walter I can’t play this. The scene requires me to be slapped by a wealthy man and I just look at him fiercely and walk away. That is not very bright in today's culture. It's dumb.
"This is 1968. You can't do that. The black community will look at that and be appalled, because the human response would be different. You certainly won't do the movie with me this way. 'If I do this movie, I insist to respond as a human being; he pops me and I pop him right back. If you want me to play it, you will put that in writing. Also in writing you will say 'If this picture plays in the south, that scene is never removed.' Walter said, 'Yeah, I promise you that and I'll put it in writing.' "But being the kind of guy Walter is, his handshake and his word are the same, so I didn't need to have it in writing, and he kept his word. That scene made the movie. Without it, the movie wouldn't have been as popular."
'In the Heat of the Night' won five Academy Awards: Best Picture - Best Screenplay.

Meet Pando, not a forest but a single tree. Every trunk of the Quaking Aspen is genetically identical & connected by a single 80,000 year old root system, making it one of the largest and oldest living entities on Earth!

In 1875, Oliver Lewis became the first jockey to win the Kentucky Derby, America's longest continuous sporting event. Lewis was born in 1856 in Fayette Country, Kentucky, to his parents Goodson and Eleanor Lewis. Lewis was born free, but there is little known about his parents or family. Lewis was only 19 years old when he entered the first Kentucky Derby. The race was held at what was then the Louisville Jockey Club on May 17, 1875, but is now known as Churchill Downs.

Ten thousand spectators watched this first race. Lewis rode a horse named Aristide, which was one of two colts entered by their owner, H. Price McGrath of Jessamine, Kentucky. The other horse, Chesapeake, was ridden by William Henry. Although the same owner entered both horses, Chesapeake was favored to win the $2,850 purse, and Lewis was told that his job was to lead most of the race to tire out the other horses. Out of the fifteen jockeys in the field, at this first Kentucky Derby, thirteen of them were African American. Aristide's trainer, Ansel Williamson, was also an African American.

Oliver Lewis followed his instructions and was pushing most of the field while trailing a horse named Volcano for most of the race. However, in the last stretch, Chesapeake was unexpectedly far back in the pack, while Aristide and Volcano were running neck and neck for first place. Lewis and Aristide pulled away near the finish line and won the race by two lengths. With that victory, Lewis became the first jockey to win the Kentucky Derby. Later that season, Lewis came in second in the Belmont Stakes in New York and won three more races at the Louisville Jockey Club, riding Aristide in all of them. He would never ride in the Kentucky Derby again, however, and would retire after that racing season for unknown reasons.

After retiring, Lewis worked for a short time as a day laborer, but then began providing handicapping tables and racing forms to bookies. He later became a bookie himself, which was legal in Kentucky at that time. Lewis married, although his wife's name is unknown. The couple had six children, including James, who inherited his lucrative bookmaking business. Oliver Lewis died in Lexington, Kentucky, in 1924 at the age of 68.